Zach

lovelyballetandmore:

António Casalinho | Photo by Nikita Alba | @nikita.alba #photography

(via ladansetreschic)

galina-ulanova:

Gelsey Kirkland and Mikhail Baryshnikov in Apollo (NYCB, 1975)

(via sometimes-im-a-ballerina)

kameliendame:

Mikhail Fokine, The Dying Swan

Ulyana Lopatkina

ph. Jack Vertoogian

(via sometimes-im-a-ballerina)

galina-ulanova:

Olga Smirnova and Artemy Belyakov in Giselle (Bolshoi Ballet, 2020)

galina-ulanova:

Vladislav Lantratov as Onegin, and Olga Smirnova as Tatiana, in Onegin (Bolshoi Ballet)

galina-ulanova:

Olga Smirnova as Bianca in The Taming of the Shrew (Bolshoi Ballet)

(via olgasmirnova)

galina-ulanova:

Emma von Enck in La Source (NYCB, 2020)

galina-ulanova:

Svetlana Zakharova and David Hallberg in Swan Lake (Bolshoi Ballet)

mother-milk:

Olga Smirnova doing rehearsals

by Alexander Lavrentyev, Bolshoi Theatre 2012 (detail)

(via sometimes-im-a-ballerina)

kameliendame:

Elisabeth Platel in Nureyev’s production of Swan Lake

ph. Laurent Philippe

galina-ulanova:

Cassandra Trenary and Tyler Maloney in Harlequinade (ABT, 2019)

books0977:

Olga Smirnova and Semyon Chudin in La Belle, Les Ballets de Monte Carlo, January 2017. © Alice Blangero.

As in Perrault’s tale, the princess awakens with the Prince’s presence and not with the kiss, which follows their opening “conversation”; but once their lips connect, they remain locked for a large part of the ensuing duet, which, together with Smirnova’s floating arms and the alluring sentiment of Maillot’s flowing choreography, invests the duet with an absorbing tenderness, as the Prince leads La Belle towards the screen that had earlier held the imagery of his dreams.